Online Journal of Poetry
Volume 1 Issue 7 October 2003
 

 

The Angles of Light: new & selected poems by Luci Shaw
Review by Orrin Judd

We are here to abet creation and to witness it, to notice each thing, so each thing gets noticed. . . so that Creation need not play to an empty house.
    -Annie Dillard

The key scene in M. Night Shyamalan's film Signs comes when Graham Hess (Mel Gibson) and his brother Merrill (Joaquin Phoenix) are discussing the implications of what seems to be an alien visitation, signaled by a number of lights that have appeared over Mexico City:

People --- break down into two groups. When they experience something lucky, group number one sees it as more than luck or a coincidence. They see it as a sign, evidence that there is Someone out there watching out
for them. Group number two sees it as just pure luck, a happy turn of chance. Well sure there are people in
group number two are looking at those 14 lights in a very suspicious way. For them, the situation isn't fifty/ fifty
could be bad, could be good , but deep down they feel that whatever happens, they are on their own, and that
fills them with fear.

Yeah, there are those people, but there's a whole lot of people in group number one. When they see those fourteen lights they are looking at a miracle. And deep down they feel that whatever is going to happen, there will be Someone there to help them, and that fills them with hope.

So what you have to ask yourself is what kind of person are you? Are you the kind that sees signs, sees miracles, or do you believe that people just get lucky? Or look at the question this way --- is it possible that there are no coincidences?

Luci Shaw's poetry is based on the thrill of finding those signs in the everyday, of having faith that it is God who has placed them there and hope because of that.

A few examples will serve to give the flavor of the batch and speak far more eloquently than can I:
We know this to start with:
If we understood everything we wouldn't be baffled. But mystery lives; somehow without witchcraft or chicanery we collect sounds and colors in a skyward dish, like fruit in a bowl, and channel them into verisimilitude--faces talking at us from the tube's glass eye. Hallways of fog enfold us in enigma. And then, the marvel of window glass--how can anything be hard enough to stop the hand and hold its smudge while letting through this soft light? The one wheat kernel that breeds a thousand--a miracle of loaves over and over again. The stars, invisible in the blind day revealed, thick as pollen, by the absence of light. A billion spiky grass blades that melt into a perfectly flat horizon. The Holy Ghost waking me in my bedroom, drenching my dry heart with fluid syllables, breathing flesh into the fetal bones of this poem.
Bubble

I watch it being blown, swelling and rising from my grandson's red plastic ring, fresh-filled with eager air, tenuous as just-spilled dandelion silk, a fluid wobble, quite surprising me with its likeness to our cosmic bubble, all greens and blues, each continent and sea etched in bright enamel by God and gravity-- a film's fine iridescence fixed. The trouble is: before the shivering, frail balloon has hovered long it bursts in a star of spray that pricks my skin with cool fireworks, so that, in vanishing, it winks at my comparison just as the simile is offered. But mind's a watercolor paper. This visual spasm has brushed me with its indelible, swift rainbow strokes of form and gleam. My visions shift between the micro- and the macrocosm, ephemeral both, as radiant as grace, glass globules in the furnace air, both sealed off after a creative breath, and then annealed, floating their minor vessels into space.
Reading these poems awakens us to the wonder of the world around us and, if we've a mind to allow it, transforms the mundane into the miraculous. You can't help but observe your surroundings more closely and ponder existence more fiercely. And it's certainly possible that you'll choose to be the kind of person who views it all as lucky chance and insists we're alone and nothing means anything. But, there's also a possibility that you too will see signs and miracles and be infused with hope. Ms Shaw enhances the latter possibility. Her poems, in that sense, are an extraordinary gift to the reader.

© 2003

Orrin Corson Judd is a guest reviewer for Subjective Substance and hosts a website. He lives in Hanover, NH with his beloved wife Dr. Mrs. Brooke G. Judd, O. Griffin Judd (2/13/97) and blessed daughter, Avery Caroline (5/29/99).

 

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