Online Journal of Poetry
Volume 1 Issue 12 March 2004
 

 

Exultance
by Stephen Mead


Clip clop, clip clop----- the blue cobbles are ringing & the belgian block wood in this time, this city, this night, these hansom bells our century’s angelus. Footman, you of the liveried, what is to be destined? What foreshadowing under each shod hoof & from clanging harnesses, the motion whipped manes? Are they russian or klysdale, these pliant giants so docile but with loyal speed for each royal riding Anastasia on the run into vanishing gas lamps, the intrigue of history's rhythm? Black nostrils of might breathe fierce white mist, heat exhaust disappearing through too pure snow flakes. From the distance they seem like stars, & other sleds are schooners skating on the river ice of every road... Surely slaughter shall not follow this, the skeletal scars of our foundations already speaking of the looted art, the burned books, the entrail-spilled conflict between need and greed. Surely the wars that brought us to this place of candlemas shine in all these buildings shall not harvest shed blood, (will they?) in the evermore. But, shush, says gloved driver, taking one hand from the reins, one hand laid on my hand, lifting it gently to cover my mouth. It will take us each our whole lifetime, he explains, and many more, to recover from our lives, but, listen, clip clop, the bells anyway ring.

Stephen Mead is a published artist/writer living in northeastern NY. A resume and samples of his artwork can be seen in the portfolio section of Absolute Arts, www.absolutearts.com/portfolios/s/stephenmead, and 123soho.com/members/stephen_mead. Mr. Mead also has several title pieces of e books online at scars.tv/ccdissues/mead.htm.

 

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